Atwood read the blueprint

Nolite te bastardes carborundorum. [Don’t let the bastards grind you down.]
— Margaret Atwood, The Handmaid’s Tale.

The Handmaids have entered the Texas legislature.
Nan L. Kirkpatrick‏ @nanarchist Mar 20:
The Handmaids have entered the #txlege. #sb415 #fightbacktx pic.twitter.com/Fpa9cNGHR0

The rate at which proposed  regulation, crafted by the American Far (“Christian”) Right, targets women’s most basic rights has been accelerating over the last several years. Bills that used to be outlandishly unthinkable are now commonplace, what with the Republican Party having wholly embraced the right-wing fringe, especially in its Dominionist flavour.

A protest against proposed draconian restrictions on abortion last week at the Texas legislature was only the most recent to draw parallels with Margaret Atwood’s 1985 dystopian novel about an ultra-Christian future of gender-regulated servitude, The Handmaid’s Tale.

Of course, the upcoming release of Hulu’s series based on the novel has also brought the book to the forefront of pop culture again, but the novel has been increasingly mentioned in news, streams, threads, and conversations about the Right’s treatment of women.

Earlier this week I was reading about the original critical reception to Atwood’s landmark book. It was darkly funny to learn that some reviewers — like the New York Times’ Mary McCarthy (Feb. 9, 1986) — felt its premise was too unbelievable to be successful:

“Surely the essential element of a cautionary tale is recognition. Surprised recognition, even, enough to administer a shock. We are warned, by seeing our present selves in a distorting mirror, of what we may be turning into if current trends are allowed to continue. That was the effect of ”Nineteen Eighty-Four,” with its scary dating, not 40 years ahead, maybe also of ”Brave New World” and, to some extent, of ”A Clockwork Orange.” “

“It is an effect, for me, almost strikingly missing from Margaret Atwood’s very readable book ”The Handmaid’s Tale,” offered by the publisher as a ”forecast” of what we may have in store for us in the quite near future. A standoff will have been achieved vis-a-vis the Russians, and our own country will be ruled by right-wingers and religious fundamentalists, with males restored to the traditional role of warriors and us females to our ”place” – which, however, will have undergone subdivision into separate sectors, of wives, breeders, servants and so forth, each clothed in the appropriate uniform. A fresh postfeminist approach to future shock, you might say. Yet the book just does not tell me what there is in our present mores that I ought to watch out for unless I want the United States of America to become a slave state something like the Republic of Gilead whose outlines are here sketched out. “

It’s worth reading the entire review, it seems like a point-by-point comment on current news, 32 years after publication. It’s hard to believe these days that McCarthy found A Clockwork Orange’s dystopia more likely than the one in Atwood’s “palely lurid pages.”

[Edit: Here are some very current topics touched on in The Handmaid’s Tale which I jotted the last time I read the book:

    • Patriarchy and kyriarchy
    • Rise of religious fundamentalism
    • Feminist reactions to pornography
    • “Freedom to” versus “freedom from,” and safety versus liberty
    • Abortion, contraception, and reproductive choices
    • Self-determination, ownership of one’s body
    • Right to take one’s own life
    • Environmental degradation
    • Surveillance and information technology
    • Gun control
    • Sexual orientation and choice
    • Non-reproductive sex
    • Citizenship
    • Poverty
    • Access to education, knowledge as power
    • Status of and relationships between U.S. and Russia
    • Public apathy and the creep of authoritarianism
    • Isolationism
    • Televangelists and the Christian media industry

And I bet I missed some.]

Partisanship has been increasing over the past 25 years. The Republican Party now controls the U.S. Presidency, Senate, and House of Representatives, as well as the “trifecta” (governorship + both State congressional houses) in 25 state legislatures, the senate in 12 more states, the house of representatives in six more states, and governorship in eight more states, and soon the ninth and deciding seat on the U.S. Supreme Court. The trend is clear, and it is frightening.

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Credits: Photo by Nan L. Kirkpatrick, as seen on Vulture.

Mouse Guard Must-Have

photo-sep-08-4-48-55-pmI’m very late in discovering this, but the hardback compilation Mouse Guard: The Black Axe is a must-have for all readers of the Mouse Guard comics (David Petersen, published by Archaia) and especially for players of the role-playing game based on the comic, the Mouse Guard RPG (Luke Crane & David Petersen).

It’s full of information about what the Guard Mice do, the art is as inspiring as ever, and the book offers a nice appendix full of maps, illustrations of locations, genealogies of famous mouse clans, etc. (You can see examples of location art here, but the ones in the book are different and contain much more information.)

Day 15, Cycle 5: Representation

I had an interesting reading experience yesterday. I’d been waiting for a certain graphic novel to be on sale and it suddenly was, so I downloaded it. The first page hit me like a ton of bricks, and I thought “She’s like me!

I remember being a kid, of course, and being excited when I could find adventure books featuring girls. And I keep picking up and circulating stories on social media, illustrating how important representation is. But I didn’t expect at my age to feel it again as a raw emotional response. And that’s only a small taste of what it is to a child — maybe a girl, brown-skinned, amputee, autistic, trans — who sees themselves represented for the first time!

It gave me a fresh desire to help in any way I can to lift the cloak of invisibility society has thrown on too many people.

ComicsNChemo

War of Ashes: Fate of Agaptus is a 2016 ENnie Nominee!

ENnies 2016 Nominee
The 2016 ENnie Awards nominees were just announced and War of Ashes: Fate of Agaptus has made the list in four categories:

  • Best Art, Interior
  • Best Family Game
  • Best Rules
  • Product of the Year

It’s up against high-quality, popular releases but it’s so nice to be on the list. (Now I know that at least four people read it!)  ^_^

I am so very fortunate that on my first professional writing gig in the role-playing world, Evil Hat Productions let me create a book the way I wanted to, with the support of their fantastic knowledge and staff resources. It doesn’t get any better!

War-of-Ashes-Pageheader

How to discourage me from playing your game – Part 2

Aw-noThis is the second of a three-part rant discussion on things publishers do that turn me right off their role-playing games.

Naturally, a single mistake probably won’t do it unless it’s ginormous and egregious, but a few too many and I’ll move on to the next game on my long wish list.

2. Readability

A big challenge in role-playing games is that they are usually read several times in greatly differing circumstances.

  • The leisurely reading you do on the bus when you just received your book from a Kickstarter campaign.
  • The selective reading you do to familiarize yourself with the setting and make a character for next Friday’s meeting with your gaming group.
  • The studious reading your friend is doing to prep for that same game as game-master.
  • The frantic reading in the middle of a game session to locate a particular piece of information or interpret a rule.

I know first-hand how difficult it can be to address all these needs; for example, a book may be perfectly well organized to present the setting information in an orderly fashion, but make it a nightmare to retrieve in a hurry at the game table. Today, I want to examine the ease of reading proper, all the kinds of reading we do when we are not actually playing.

Continue reading “How to discourage me from playing your game – Part 2”

Spotify Playlist: American Gods

american gods

A few years ago, Bridget McGovern at the TOR Books blog put together an exhaustive soundtrack to go along Neil Gaiman’s novel American Gods: “The Complete American Gods Mix Tape”.  I added all the tunes I could find, which is the vast majority, to a Spotify playlist.  I was thinking of this playlist because Christmas features at the centre portion of the book, so it’s seasonal.  Unfortunately, Spotify does not allow custom images for playlists (it’s only been a top user request for 3.5 years!) but I’m nothing if not stubborn.  Hence, sharing through my own blog so I could have a representative image when I post the link!  Enjoy.

Spotify playlist: American Gods Mix Tape.  If you want more about the novel, here are some thoughts and links from my previous posts.

[Edit: Now includes the long-missing Beatles songs, just released on Spotify.]

american-gods-mixtape1

Temple Handshake

I told you a few days ago how beautifully the art for Do: Fate of the Flying Temple (a project I’m managing for Evil Hat Productions) was coming along.  Here is a gorgeous two-page spread from Dionysia Jones; you can also read Art Director Daniel Solis’ discussion from initial description and visual reference to finished art.

Doublpage-Spread-Pic-B---Temple-Handshake

The Dystopian Universe RPG!

DURPG-Cover-Mockup-600pxHuzzah, I can finally talk about this project.  I’m project manager for Evil Hat Productions on a new dark science-fiction role-playing game powered by Fate Core. The setting is The Dystopian Universe, licensed from Travis Worthington at Indie Boards & Cards, and you may be familiar with it as the setting for several other games including The Resistance, Coup, Coup: Reformation, Coup: Rebellion G54, One Night Revolution, etc.

The game is written by Anna Meade and Brian Engard, with system development by J.D. Yearsley.  Applications for the first public playtest just opened today and will remain open through November 30.  (Here is a link to the application form.)

Corruption. Betrayal. Intrigue. Just another day in Paris Nouveau.

In a cyberpunk, dystopian future, the citizens of Paris Nouveau are no more than indentured servants. Virtual reality has come at a cost they can never pay, a tradeoff of freedom for technology. But there are freedom fighters who reject the system, unplugging from the illusion and working to make things right once again. They are La Résistance. Rise up and defy the corporations in the Dystopian Universe RPG, set in the same universe as The Resistance, Coup, and One Night Revolution from Indie Boards & Cards.

The Dystopian Universe RPG is a stand-alone game that uses a customized version of the Fate System. Within these pages, you’ll find:

  • Playsheets for nine character archetypes with tie-ins to the cards found in other Dystopian Universe games
  • New aspect rules to help reflect the intrigue of the Dystopian Universe, where no one is exactly what they seem
  • Two new systems to help GMs escalate conflicts based on character actions: blowback and the Vigilance Track
  • New equipment rules using Fate points from a character or from their supporters at La Résistance.
  • A streamlined modular system for creating missions, along with sample missions to get you started

The Dystopian Universe RPG: Vive La Résistance!

I can’t wait for you to see “Do”…

Do: Fate of the Flying Temple - coverFor the last few months I have been serving as project manager for a few titles at Evil Hat Productions.  Some are in early phases so that I can’t really talk about them yet, but one is getting close to the final stages. Do: Fate of the Flying Temple is a role-playing game based on the storytelling game Do: Pilgrims of the Flying Temple by Daniel Solis.  It’s doubly fun for me to be involved as project manager, since I playtested an early version almost two years ago.

It’s powered by Fate Accelerated Edition, written by Mark Diaz Truman, and Daniel is involved as layout artist and art director.  Three weeks ago he released the beautiful cover by Jaqui Davis; since then, art pieces by Dionysia Jones, Charles Andrew Bates, and other artists I can’t name yet, have been rolling in.  This book is going to be so gorgeous!  I just can’t wait for you all to see.

War of Ashes RPG: Icy Sounds

iPhoneDock-01Edmund gave me a speaker dock station for my phone a few days ago, so I now have my Agaptus playlist in the background while I prepare my two War of Ashes: Fate of Agaptus adventures for next weekend’s Big Bad Con: Jean Sibelius (Finlandia, The Tempest), Edvard Grieg (Peer Gynt Suite), Camille Saint-Saëns (Le Carnaval des animaux), Paul Dukas (L’Apprenti sorcier), Sergei Prokofiev (Peter and the Wolf), Danny Elfman (Music for a Darkened Theatre), etc.

The two adventures are Ice, Ice, Baby and Curse of Agaptus, and will both be released as downloadable content on Evil Hat Productions’ website in the not-too-distant future.

Edit: Here is the Agaptus playlist on Spotify if you want to peruse it.