Mini-Review: Love, Death & Robots (1-10)

Love, Death & Robots is a collection of animated short stories (5 to 10 minutes) of genre fiction (science fiction, fantasy, horror), just released on Netflix this week.

Since the episodes are so short, it was easy to binge several in one sitting. Over on the dying Google+, I commented that this resulted in watching more male gaze filming than I have allowed myself to in a long time. Here are my spoiler-free mini-reviews for the episodes I have seen. When I say “spoiler-free” I mean that I only give away as much as you have in the episode title and pitch. (Spoilers may be discussed in comments below, however.)

Continue reading “Mini-Review: Love, Death & Robots (1-10)”

Agon: Boarding Action!

And now for a recap of our third episode of the AGON 2nd edition beta playtest (see the first and second episodes.) Thank you to Kim for taking notes during our games!

In the final thrilling episode for this island, an epic naval battle took place between the heroes and Thesekyra the pirate queen!

Attic pottery, 6th c. B.C. (Musée du Louvre, Paris)

Battle!

When last we saw our heroes, it was just before dawn; the storm was rising again and Thesekyra’s ship was coming fast for them. The masses of dark clouds coalesced on the horizon, evoking the shape of a gigantic but stately woman which the heroes recognized as Hera. The storm cloud woman extended a staff in the direction of the pirate ship and the heroes heard, reverberating in their minds: “Retrieve my gift!”

On the opposite side of the horizon, the clouds were even darker but crackling with lightning. They moved to evoke the shape of Zeus, pointing to the pirate ship, and the heroes heard: “Sink the abomination!” For a moment, the silhouettes of the deities looked like two combattants about to throw themselves at each other, then dissolved into cloud masses. [I felt I had not made the gods present enough and wanted to give a little mythic boost.]

Continue reading “Agon: Boarding Action!”

Agon: Stormriders

Quick recap for our second episode of the AGON 2nd edition beta playtest (see also first episode.)

When last we left our heroes, they were about to give chase to Thesekyra the pirate queen, who had sailed away with the stolen Pillar of Storms. Before leaving the panicked inhabitants of Kryos, Dolia convinced the villagers to hide in the mines from the harpy attacks.

Our heroes set sail after the pirate queen, with a captured harpy attached to the mast with a length of yarn as a guide. The closer they got, the stormier the sea was, thanks to the stolen artifact. Unfortunately, the attempt to outmaneuver the pirate queen was met with abject failure and the heroes’ ship was driven into the magical storm.

Odysseus, Norman Lindsay 1925.

Dolia attempts to call upon Hekate for assistance, pouring a sacrifice of sacred oil onto the waves, but the sacrifice did not go so well and the ship capsized in the towering waves. Phaedra rescued the bound harpy rather than let her drown. Antiochis rallied the boon companions and Phaedra shamed the harpy into not abandoning everyone. With her help, they were able to find a nearby island and tow the capsized ship there.

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Marie Targer

Mitochondries, Filles du Roi et Huguenots

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L’ADN mitochondrial, dont on se sert pour tracer les migrations humaines, se transmet pratiquement inchangé de mère en fille, excepté quelques rares mutations. J’ai donc la même formulation, le même ADNmt que mes aïeules de lignée maternelle: ma mère, sa mère, et ainsi de suite.

Quand je remonte cette chaîne, la première à vivre en Nouvelle-France est Marie Targer, venue de La Rochelle.

Continue reading “Marie Targer”

The Warren: City Park

On Sunday night I was scheduled to run an episode of Blue Rose, but for a variety of reasons this was not a good time emotionally-speaking. However, the whole group was available and eager to play so instead I ran a light-hearted adventure of The Warren (Bully Pulpit Games) by Marshall Miller. This game a sort of Bunnnies & Burrows powered by the Apocalypse, very easy to run with minimum preparation,

I used the “City Park” playset created by Kristin Firth and Eric Mersmann. It’s based on Central Park in New York but we decided to set it in Austin, Texas instead. This matter because of the weather, wildlife, plants, etc. Because it had been a crappy week, we agreed to make it more My Little Bunny than Watership Down.

Our Rabbits

Nutmeg the Thumper (female), a Strong rabbit; a young, energetic, go-getter, with a short-haired white coat and a black streak. She had an ongoing dispute with Oakley the squirrel, who kept getting to the best acorns first. Played by April.

  • Character Move: Thumper. When you cuff, kick, or knock another rabbit about, you may roll +Strong instead of +Shrewd when you Speak Plainly.

Pip the Swift Runner (male), a Swift rabbit, young and overconfident; the best runner in the warren, he would do anything on a dare. Played by Adi.

  • Character Move: Swift Runner. You have never met an animal you couldn’t outrun. When you Bolt, treat a roll of 6- as a 7-9.

Fluffy the Hutchwise (male), Shrewd rabbit despite being less than a year old: given to a child as an Easter gift, but left in the park to “run free with his rabbit friends” when the realities of caring for a house rabbit sank in. Known for his long soft coat, and floppy ears, a bit unkempt at this point. His rival for expertise on humans was an escaped laboratory rabbit called 76, with a very different perspective.

  • Character Move: Hutchwise. Raised in a cage or hutch, you are familiar with humans’ routines and mysteries. When you Pay Attention to humans, add “Why do humans do that?” to the list of questions you can ask. The GM will tell you a truth and a falsehood—pick whichever is more interesting or useful.

Peanut the Pigeon-Speaker (female), a Steady and experienced rabbit, currently pregnant. Her short coat’s shades of gray and ring marking around the neck made her look uncannily like a pigeon, so she had forged a bond with them.

  • Character Move: Circles of Life. The fight for survival makes for some strange bedfellows. When you first use this move, choose another type of animal with which you have history and rapport.
Continue reading “The Warren: City Park”

Agon: Amazons and Pirate Queens

On Friday night I ran the first episode of an AGON mini-series for a beta playtest of the second edition. I had three wonderful players: Misha Bushyager, Sandy Jacobs-Tolle, and Kimberley Lam.

The Heroes

Heroes are created by giving them an Epithet, which translates to particular ability in a Domain (Arts & Oration, Blood & Valor, Craft & Reason, or Resolve & Spirit) and a specific Strength (e.g, Authority, Ferocity, etc.); a deity, which lends them another specific Strength (or increases their Strength if it’s the same they get from their Epithet); and picking their lineage, description, and weapons. 

We had discussed characters online and they had created the following characters:

Open-Hearted Antiochis (Kim), daughter of Helene and devotee of Aphrodite. She is large as a bear, with short, wild white hair and a playful quirk to her lips. She wears piecemeal armor and she prefers to wrestle rather than use weaponry. (d8 Resolve & Spirit, d8 Daring, d8 Beauty.)

Phaedra the Clever Eyed (Misha), daughter of Sophia, devotee of Athena, known at a glance by her panther-like stride, piercing amber eyes, dyed braids, shining dark armor, and paired khopesh. (d8 Craft & Reason, d8 Cunning, d8 Judgment.)

Dolia the Wayfinder (Sandy), daughter of Polytropos, devotee of Hera, never at a loss to man or spirit. Lean, rangy woman, tanned and tough from the hillside ranges and simply dressed, with an oak staff at the ready. (d8 Resolve & Spirit, d10 Cunning.)

Continue reading “Agon: Amazons and Pirate Queens”

Next playtest: AGON 2nd edition

AGON is a game inspired by the Iliad and the Odyssey where you play heroes of antiquity having adventures and tossed by the whims of capricious gods. John Harper (One Seven Design) published the original game in 2006, but a new edition has been in the works for a year and a half, this time written in collaboration with Sean Nittner (Evil Hat Productions), as well as the design chops of Jason Morningstar (Bully Pulpit Games)..

The intensive alpha playtest resulted in a streamlined but also more structured system to create episodes with minimal preparation. The game has now been released outside the development team for some beta playtesting, and I was invited to participate.

According to the playtest document, the game plays best with one Strife player (game-master) and two to four Hero players. The default setting is Ancient Greece, but it’s easy enough to re-skin for another pantheon of Antiquity or fiction, such as the Egyptian, Tagalog, Norse. or Marvel’s polynesian pantheon.

We chose to stick with the default. We’re merely in character creation for the moment, but I look forward to our first episode. I have three players right now, three great ladies who I only ever get to play with at conventions or online because we’re scattered across great distances. It looks like this will be a Themysciran Odyssey—and maybe for the characters too. 😁

Since Google is closing G+, stripping down Google Groups further, and tinkering with Hangouts, we decided to go for a Discord server for both chat and voice; and I started a great big Pinterest board of visual inspirations.

Gillette Banne

Au meurtre!

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La première femme d’origine française exécutée pour meurtre en Nouvelle-France, Gillette Banne, est ma neuvième arrière-grand-mère du côté de ma grand-mère maternelle:

Banne, Gillette [décaïeule ou 9x arrière-grand-mère]
mère de Bertault, Élisabeth Thérèse Isabelle [nonaïeule ou 8x arrière-grand-mère]
mère de Laurence, Nicolas [octaïeul ou 7x arrière-grand-père]
père de Laurence, Jean-Baptiste [septaïeul ou 6x arrière-grand-père]
père de Laurence, Jean-Baptiste [sextaïeul ou 5x arrière-grand-père]
père de Laurence, Joseph [quincaïeul ou 4x arrière-grand-père]
père de Laurence, Joseph [quartaïeul ou 3x arrière-grand-père]
père de Laurence, Grégoire [trisaïeul ou arrière-arrière-grand-père]
père de Laurence, Mathias [bisaïeul ou arrière-grand-père]
père de *** [aïeule ou grand-mère]
mère de *** [mère]
mère de Lagacé, Sophie 

Continue reading “Gillette Banne”

Je me souviens

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Il y a un bon moment que je n’ai écrit un billet en français; c’est le sujet qui m’y amène.

Ce Noël, Edmund m’a donné un livre, Hélène’s World: Hélène Desportes of Seventeenth-Century Quebec, centré sur la première personne de souche française à naître en Amérique (ou du moins, la première qui ne soit pas morte durant sa petite enfance).

Je l’ai mentionné à ma mère et la conversation a vite tourné vers le sujet de la généalogie.  Elle a récemment développé un intérêt pour ce sujet et même suivi un cours. Comme j’ai toujours été intéressée par le sujet, elle a partagé avec moi les notes qu’elle avait assemblé sur les lignées de son grand-père paternel et ses grands-parents maternels.

J’ai jeté un coup d’oeil sur les outils disponibles pour organiser l’information et choisi un logiciel libre, Gramps, qui peut être utilisé sur diverses plate-formes (Windos, Mac OSX, Linux). Ayant déjà les lignées paternelles pour trois de mes arrière-grands-parents, j’ai commencé à remonter les lignées maternelles. Continue reading “Je me souviens”

My 2018 in gaming

[Updated to add the names of some women and enby game designers I had somehow failed to copy-paste from my spreadsheet.]

Once again, I review the list of games I played during the year we just said goodbye and good riddance to.

Despite having fewer health problems in 2018, the number of different games once again dropped, to only 28, down from 62 in 2015, 47 in 2016, and 44 in 2017. I had a lot of challenges this year again, plus little money to attend conventions (only Big Bad Con and one day at KublaCon), and no space to play at home.

As a result, I played only 7(!) different tactical and strategic games (board, card, and miniatures games), from 30 in 2015, 26 in 2016, and 18 in 2017. That makes up 25% of the titles I played.

On the narrative game front (role-playing games, story games, and live-action role-playing), I played 21 or 75% of my titles, compared to 32 in 2015, 21 in 2016, and 26 in 2017. Of these 21 games, I ran 7, or 33%: At the Stroke of Midnight, Blue Rose RPGFate of the InquisitorMisspent YouthThe Quiet YearThreadbare RPG, and Turn. Continue reading “My 2018 in gaming”