Shadow of the Kickstarted Action Movie!

Blowing Up the Movies plus  backstory-boxmockup   plusShadow-of-the-Century-Playtest-Draft-256x300

Earlier this week I received the ebook for Robin D. Laws’ Blowing Up the Movies, a backer reward for the recent Feng Shui 2 Kickstarter campaign. This morning I received the alpha playtest version of Evil Hat Productions’ role-playing game Shadow of the Century, which when released will be a backer reward for the Fate Core Kickstarter campaign. And when I got home tonight, Brooklyn Indie Games’ Backstory Cards, which I had purchased through Kickstarter, were waiting for me.

Tomorrow night, I’m having four players over for dinner and playtesting. We will use all three together and build us a giant badass of an 80s action movie!


The Kai Tak Job: End of Episode 1

So I finally found time to post the notes from the end of our Fiasco: HK TPK game.  We enjoyed it a lot and have already decided to “film” a sequel, set in 1997 during the handover of the Hong Kong New Territories from Great Britain to China.

The story picks up immediately after the Tilt.

HK TPK: A Stupid Plan Executed to Perfection

Kai Tak landing corridor, seen from Kowloon walls.Tony Chin/Mark resolves the scene; Naomi recognized him when he came for treatment, kept him drugged and strapped down without his disguise. He’s very confused by the drugs and the sirens as the police starts the evacuation of the Kowloon Walled City, which is scheduled for demolition. He eventually talks Hideko into releasing him so he can go to the bathroom, and wanders off while she sees to another patient. In his drugged state, he stumbles into one of the fake police vans during the loading, and goes to sleep under a tarp on a pile of rocket-propelled grenades, escaping Naomi’s clutches. (White die.)  Continue reading “The Kai Tak Job: End of Episode 1”

Fiasco: The Kai Tak Job, continued

rocket-propelled grenadesLast weekend we played the “HK TPK” playset by Corey Reid, John Rogers, and Gareth-Michael Skarka for Jason Morningstar’s game Fiasco (Bully Pulpit Games).  The game is intended to tell tales of things gone wrong, largely in the style of the Cohen Brothers’ movies; the playset simulates Hong Kong action movies.

We made it to the Tilt, and I took some very short notes.  I had hoped to transcribe them to narrative form, but I don’t think I’ll have the time and we’re playing the next portion tonight, so here they are.  I had already posted the setup and intro, but some of it is included again in the first two scenes here.

I can’t wait to see how our “stupid plan executed to perfection” turns out. Continue reading “Fiasco: The Kai Tak Job, continued”

Movie night for Fiasco: HK TPK

As part of getting in the mood for our Fiasco: HK TPK game, we have been watching a bunch of Hong Kong action movies as well as movies closely emulating the genre.  This week we watched two that pair off pretty well: John Woo’s Once A Thief (1991) and Dong-Hoon Choi’s The Thieves (2012).

Both of them are heist movies, so in terms of playing a a game version, all the comments I made in my earlier series on Heist Jobs in Games and Fiction would apply.

Once A Thief (1991)Once A Thief stars Chow Yun-Fat, Leslie Cheung, and Cherie Chung as Joey, Jim and Cherie, a trio of art thieves who were raised together by the Hong Kong answer to Fagin, the sinister Chow (played by Kenneth Tsang), a master criminal and fence.  The three want to get out from the business and from under”Dad’s” thumb, so of course they run afoul of him.

The movie unfolds in a light tone compared to most John Woo movies, with romance and humour as well as action.  The first half or so is spent establishing characters and relationships, and showing us how the team works.  By the time we get to the first “tilt”, however, a big job falls apart when the thieves are double-crossed, resulting in a blood bath, and one of the thieves ends up in a wheelchair.

The second half, the job-to-end-all jobs, gets a little edgier treatment, suggesting sadness and a hint of desperation under the banter of the main characters.  The action also ramps up, to my satisfaction.  Points for the action scenes in a wheelchair, and the whole wheelchair-fu idea; it was well done and novel.  The second half also leads to a spectacular, over-the-top final battle with lots of destruction, and a not unexpected, but well executed second “tilt.”  In Fiasco terms, I’d say that it uses the soft “Aftermath” table from The Fiasco Companion.

We got the DVD from Netflix and watched it with English subtitles; there are portions of dialogue in English and French in addition to Cantonese, which were clear enough that I was able to follow without help from the subtitles.

The Thieves (2012)The Thieves is presented in a very different register, much darker in tone and with more earthy, believable action scenes.  Nine specialists from two different teams, from South Korea and from Macau, come together for one big heist; the crown jewel of the theft will be a huge diamond, the coveted Tear of the Sun.  But each of the thieves has ambitions, dreams, rivalries, an agenda.  Add a greedy fence and a police sting, and we’re ready for a Fiasco.

The movie, in Hollywood terms, plays a lot like a cross of Ocean’s Eleven meets Reservoir Dogs, Leverage meets Heist.  It’s got the teams of skilled pros and the daring theft, mixed with greed, mistrust and revenge.  I liked that, unlike most Hollywood movies in this genre, we pretty much had gender parity (four women, five men on the team) and that the ages ranged from young punk to grizzled veteran for both women and men.

We watched this streaming on YouTube, the whole two hours and fifteen minutes or so.  It’s mostly in Korean but with parts of the dialogue in Cantonese, Mandarin, Japanese and English as it hops around from Seoul to Macau to Hong Kong.  With nine thieves plus secondary characters, many flashbacks, a complex plot, and a lot of scenes with dark lighting and only a glimpse of who is speaking, I found it challenging to follow.  This was complicated by the English subtitles that had to compete with Korean ones for all portions of the voice track not in Korean, and were not very well timed with the speech, leaving the viewer to figure out who said what in rapid-fire dialogue.  Still, I think I did pretty well keeping up, all things considered.

As a Fiasco game, it definitely would not pull any punches.  Many characters meet with a rough end…

Fiasco: HK TPK

So on Saturday we had a bitter-sweet online gaming experience, with a game starting fantastically promising but Internet technology deciding to leave us in a ditch.  We’re test-driving the “HK TPK” playset by Corey Reid, John Rogers, and Gareth-Michael Skarka for Jason Morningstar’s game Fiasco (Bully Pulpit Games).  The game is intended to tell tales of things gone wrong, largely in the style of the Cohen Brothers’ movies; the playset simulates Hong Kong action movies.

We had five players spanning different continents and time zones, plus my husband Edmund acting as facilitator.  We got our game set up and it started out as a convoluted generation-spanning tale of duty, regret, temptation and betrayal.  Then one of the connections decided that Saturday night’s all right for fighting, and gave us the boot.  We’ve rescheduled for next weekend, but in the mean time I thought I’d describe our movie’s beginning.

Tony Chin (picture of Chow Yun Fat in "The Replacement Killers")Maybe it all started in 1992, with the botched Kai Tak job.  An entire Boeing 747 cargo of North Korean rocket-propelled grenades, bought from China and destined for sale in Libya, intercepted by a consortium of Triads and Yakuza interests.  Tony got the the cargo, but shot a man he mistook for a cop.  Alas, it was really his contact.  In the scramble that followed, he stashed the cargo — but someone else found it and moved it.  He needs to find it again to free himself from his obligation to the fearsome Madame Wu. Continue reading “Fiasco: HK TPK”