Since the episodes are so short, it was easy to binge several in one sitting. Over on the dying Google+, I commented that this resulted in watching more male gaze filming than I have allowed myself to in a long time. Here are my spoiler-free mini-reviews for the episodes I have seen. When I say “spoiler-free” I mean that I only give away as much as you have in the episode title and pitch. (Spoilers may be discussed in comments below, however.)Continue reading “Mini-Review: Love, Death & Robots (1-10)”
SundayInitially I had not signed up for anything on Sunday morning because I feared con exhaustion might set in by then. But I woke up in plenty of time to make the 9AM games so I grabbed a free coffee at the registration table and signed up for Brian Vo’s “It Makes A Village,” which sounded like Dungeon World meets The Quiet Year. Spoiler alert: it was. Our characters were:
- Tenrissa the gnome artificer and tinkerer (played by Joey);
- Matais the human fighter and village carpenter (played by Matt);
- Elizabeth “Lizzie” Silverstone the elf bard who lived above the bakery (played by Summer);
- Odd Ev the human thief, secret Santa to the village, who did odd jobs (played by Jim); and
- Ysolde the human mage and would-be schoolmistress (played by me).
SaturdayFor my Saturday I had scheduled an array of playtests, all games currently being designed by people I love. I started with (Abyssal), a game Forged in the Dark by my friends and colleagues Ash Cheshire and Edward Turner. The premise:
Whenever humans build cities, they create shadows… hidden, dark places beneath the surface, where creatures that aren’t human gather. Some might call them monsters, and they wouldn’t be entirely wrong. But you? You don’t belong to the surface or the shadows. You are in-between… cursed, or infected, or bitten but not yet turned. You stand at the edge of the abyss. Will you hold on to your humanity at all costs, or will you embrace the change that is happening to you?It was cool to be the first outside group ever to playtest this. There were three settings to explore: Paris, 1793; London, 1888; or Las Vegas, 1971, and the players were asked to pick. Continue reading “My Big Bad Con 2018: Part 3”
FridayOn Friday morning I was scheduled to run a shift at Games on Demand from 9AM to 1PM. Although GoD shifts are all four-hour time blocks, GMs are encouraged to run two-hour games twice because this is useful to attendees who have just a bit of time between events. I was offering the same two-hour games as last year: Avery Alder’s The Quiet Year and Meguey Baker’s At the Stroke of Midnight. It was a treat for me to get to run both: the first group chose to venture in a graveyard at midnight to get a boon from a departed loved one, and the second to follow a community’s preparation for the expected winter hardships. Both groups of players totally “got” the spirit of the games. Continue reading “My Big Bad Con 2018: Part 2”
Last weekend was the eighth edition of Big Bad Con. I have had the privilege of attending every single instance and even to be part of the staff for the last few ones. It’s my very favourite weekend of the year, my Christmas.
In the last 25 years I have worked for many other conventions (organized events, volunteered, or been on staff) and attended many more, but Big Bad Con is different. It launched in 2011 with a mission to build community among tabletop and live-action role-players. Within a few years, this expanded to mean more: to make the community welcoming to all and particularly to marginalized, vulnerable, under-represented groups. Here are a few of the practical steps taken:Continue reading “My Big Bad Con 2018: Part 1”
This is the second half of the #MayRPGQ2018 challenge for tabletop role-playing game enthusiasts from Brie Sheldon.
May 18: Where do you play that most encourages your creative side?
Big Bad Con. This convention is my Christmas, it’s the best weekend of the year. People who show up there are ready to say yes, to try new things, to take risks. Its effect stretches on through the year for me, recharging me with enthusiasm and ideas. Continue reading “#MayRPGQ2018: Part 2”
I finally ran Alas for the Awful Sea (Storybrewers Roleplaying) at Big Bad Con. This is a game Powered by the Apocalypse, built to tell dramatic tales about the characters’ needs, feelings, and conflicts; it’s set in poor coastal villages of the British Isles during the 19th Century and includes elements of history, legend, and supernatural.
Created by Australian game designers Hayley Gordon and Veronica “Vee” Hendro, the game was funded through a successful Kickstarter campaign back in February 2017. I was really excited about the focused theme, the promise of a streamlined approach to PbtA, and the team of women and non-binary people putting together the main book and the digital stretch goals. Besides, I don’t have very many Australian role-playing games (I can’t think of anything except Hunter Planet right now…)
They delivered right when promised and this beautiful book arrived in time for me to prep a game for Big Bad Con. It fit well, since I had decided to run only games made by women and non-binary people.
As you might have guessed, the last several weeks have been harder on my morale than my body. The last stretch of the American presidential election was hugely stress-inducing, and the results were soul-crushing. I know my friends know what I’m talking about, I heard it in their words and read it in their posts. Except for the most upbeat of topics — my gaming group, Thanksgiving, and the good progress in my treatment — I have been unable to write anything in over eight weeks. I keep thinking of words in my head, it’s all there, but I’ve been unable to put them down in writing.
Two months ago, I was cautiously optimistic. I thought we would probably get a weak Clinton victory, then some incremental building on the cautious progress made under the Obama administration; against this backdrop, I was expecting to focus a lot of energy on my geek communities, and particularly the gaming community, as I returned to health.
Then the world changed. I’m still not ready to unpack this event, but the result is that people previously known as “Gamergators,” “MRAs,” “pissing booth warriors” and “some racist trolls in the bottom drawer of the Internet” now feel emboldened to take their assholiness for a stroll in real space. Suddenly, it’s not just in a few compartments of our lives that we can meet with acts of hatred from people we don’t even know. After what most of us considered a shitty year, 2017 looks like it will be even worse. I met January 1st more downcast and apprehensive than I ever have in my life.
My backlog of writing is not helped by the fact that I feel I will be discussing many unpleasant topics this year. Indeed, in late October and early November before I sank into depression, I was planning to start writing a series tackling some of the successes, failures, and possible paths forward for diversity in tabletop gaming and related geeky pursuits. I feel this is more needed now than ever, but I don’t know how much justice I will be able to do to the topics.
Nevertheless, I can’t just roll over and play dead. It’s not the first time I have dealt with depression, and I will deal with it this time again. In fact, I was hit by a wave at about the same time the year before, when my kind and benevolent employer unilaterally cut my hours and stripped me of my benefits. You know what got me out of the ditch? Cancer. That’s right, sometimes it’s not an improvement in circumstances that serves as the ladder to climb out of a hole, but a disaster you have to respond to. And 2017 looks to be quite the disaster, so I might as well hold on to that to climb.
Happy New Year, folks. Me, I take pride in the fact that I managed to write this post without too much profanity.
I have not forgotten that I promised to go back over the “Two Minutes Hate” issue for the three-month assessment of its impact onto the tabletop role-playing community, and particularly the parts of the community centering on indie and small-press games. Since I started the assessment, I have tallied responses from a variety of threads online, and discussed with and interviewed many people closely involved with and/or affected by the events.
In short, based the evidence I collated I believe that after three months (I’ll get back to this in a moment), the impacts of “Two Minutes Hate” and its follow-up FAQ have been more negative than positive, and that the negative impacts are disproportionately felt by a few people who were already on the receiving end for frequent online abuse. The post failed to clearly convey Mark’s intended message and caused harm both directly and indirectly to people singled out as examples. I see the following as key errors:Continue reading “In which direction lies progress?”