Agon: Death of a Prince

On Friday we held the fifth session of our beta playtest of AGON 2nd edition and visited our third island.

The lying in state of a body, terracotta pinax by the Gela Painter, latter 6th century BC.

Our heroines landed on the island of Nimos, where they were surprised to learn of the untimely death of the crown prince, one of their companions during the War. The royal family and the whole island were in mourning.

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Agon: Seeds of Democracy

Tonight was the fourth session of our beta playtest of AGON 2nd edition and our second island. Dolia’s player was unavailable so our heroes were Antiochis and Phaedra.

Our heroes landed on the islands of Ion and Soros, linked by a land bridge. Usually there was a gate on the island but it had been destroyed and masses of people were fleeing from Ion into Soros. Orta, the giant who controlled Ion, was raging; his cries of rage and stomping could be heard from afar and every stomp was accompanied by a ground tremor.

Seeing something big going on at the royal palace on Soros, the heroes went to check it out. King Vlakas was preparing to pronounce judgment on his daughter and leader of the Soros army, Commander Tyla, for failing to stop the Ionian refugees by force. The King assumes that the heroes were sent by the gods to restore order on Soros. Tyla recognized the heroes and called them by names and deeds, asking them for support.

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Agon: Boarding Action!

And now for a recap of our third episode of the AGON 2nd edition beta playtest (see the first and second episodes.) Thank you to Kim for taking notes during our games!

In the final thrilling episode for this island, an epic naval battle took place between the heroes and Thesekyra the pirate queen!

Attic pottery, 6th c. B.C. (Musée du Louvre, Paris)

Battle!

When last we saw our heroes, it was just before dawn; the storm was rising again and Thesekyra’s ship was coming fast for them. The masses of dark clouds coalesced on the horizon, evoking the shape of a gigantic but stately woman which the heroes recognized as Hera. The storm cloud woman extended a staff in the direction of the pirate ship and the heroes heard, reverberating in their minds: “Retrieve my gift!”

On the opposite side of the horizon, the clouds were even darker but crackling with lightning. They moved to evoke the shape of Zeus, pointing to the pirate ship, and the heroes heard: “Sink the abomination!” For a moment, the silhouettes of the deities looked like two combattants about to throw themselves at each other, then dissolved into cloud masses. [I felt I had not made the gods present enough and wanted to give a little mythic boost.]

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Agon: Stormriders

Quick recap for our second episode of the AGON 2nd edition beta playtest (see also first episode.)

When last we left our heroes, they were about to give chase to Thesekyra the pirate queen, who had sailed away with the stolen Pillar of Storms. Before leaving the panicked inhabitants of Kryos, Dolia convinced the villagers to hide in the mines from the harpy attacks.

Our heroes set sail after the pirate queen, with a captured harpy attached to the mast with a length of yarn as a guide. The closer they got, the stormier the sea was, thanks to the stolen artifact. Unfortunately, the attempt to outmaneuver the pirate queen was met with abject failure and the heroes’ ship was driven into the magical storm.

Odysseus, Norman Lindsay 1925.

Dolia attempts to call upon Hekate for assistance, pouring a sacrifice of sacred oil onto the waves, but the sacrifice did not go so well and the ship capsized in the towering waves. Phaedra rescued the bound harpy rather than let her drown. Antiochis rallied the boon companions and Phaedra shamed the harpy into not abandoning everyone. With her help, they were able to find a nearby island and tow the capsized ship there.

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Agon: Amazons and Pirate Queens

On Friday night I ran the first episode of an AGON mini-series for a beta playtest of the second edition. I had three wonderful players: Misha Bushyager, Sandy Jacobs-Tolle, and Kimberley Lam.

The Heroes

Heroes are created by giving them an Epithet, which translates to particular ability in a Domain (Arts & Oration, Blood & Valor, Craft & Reason, or Resolve & Spirit) and a specific Strength (e.g, Authority, Ferocity, etc.); a deity, which lends them another specific Strength (or increases their Strength if it’s the same they get from their Epithet); and picking their lineage, description, and weapons. 

We had discussed characters online and they had created the following characters:

Open-Hearted Antiochis (Kim), daughter of Helene and devotee of Aphrodite. She is large as a bear, with short, wild white hair and a playful quirk to her lips. She wears piecemeal armor and she prefers to wrestle rather than use weaponry. (d8 Resolve & Spirit, d8 Daring, d8 Beauty.)

Phaedra the Clever Eyed (Misha), daughter of Sophia, devotee of Athena, known at a glance by her panther-like stride, piercing amber eyes, dyed braids, shining dark armor, and paired khopesh. (d8 Craft & Reason, d8 Cunning, d8 Judgment.)

Dolia the Wayfinder (Sandy), daughter of Polytropos, devotee of Hera, never at a loss to man or spirit. Lean, rangy woman, tanned and tough from the hillside ranges and simply dressed, with an oak staff at the ready. (d8 Resolve & Spirit, d10 Cunning.)

Continue reading “Agon: Amazons and Pirate Queens”

Next playtest: AGON 2nd edition

AGON is a game inspired by the Iliad and the Odyssey where you play heroes of antiquity having adventures and tossed by the whims of capricious gods. John Harper (One Seven Design) published the original game in 2006, but a new edition has been in the works for a year and a half, this time written in collaboration with Sean Nittner (Evil Hat Productions), as well as the design chops of Jason Morningstar (Bully Pulpit Games)..

The intensive alpha playtest resulted in a streamlined but also more structured system to create episodes with minimal preparation. The game has now been released outside the development team for some beta playtesting, and I was invited to participate.

According to the playtest document, the game plays best with one Strife player (game-master) and two to four Hero players. The default setting is Ancient Greece, but it’s easy enough to re-skin for another pantheon of Antiquity or fiction, such as the Egyptian, Tagalog, Norse. or Marvel’s polynesian pantheon.

We chose to stick with the default. We’re merely in character creation for the moment, but I look forward to our first episode. I have three players right now, three great ladies who I only ever get to play with at conventions or online because we’re scattered across great distances. It looks like this will be a Themysciran Odyssey—and maybe for the characters too. 😁

Since Google is closing G+, stripping down Google Groups further, and tinkering with Hangouts, we decided to go for a Discord server for both chat and voice; and I started a great big Pinterest board of visual inspirations.

#MayRPGQ2018: Part 2

This is the second half of the #MayRPGQ2018 challenge for tabletop role-playing game enthusiasts from Brie Sheldon.

May 18: Where do you play that most encourages your creative side?

Program, badge, buttons

Big Bad Con. This convention is my Christmas, it’s the best weekend of the year. People who show up there are ready to say yes, to try new things, to take risks. Its effect stretches on through the year for me, recharging me with enthusiasm and ideas. Continue reading “#MayRPGQ2018: Part 2”

Play Report: Fate of the Inquisitor

Inquisitors are a dour lot.

After a delay of over two years, I finally ran Fate of the Inquisitor for the first time yesterday at KublaCon.  It was a moral victory to finally be able to do this!

This game is my hack using:

  • the rules of War of Ashes: Fate of Agaptus I wrote for Evil Hat Productions (PDF available on a pay-what-you-want basis on DriveThruRPG, and Open Content rules on Fate SRD);
  • the Warhammer 40,000 (WH40K) setting,
  • particularly  as  presented in the Dark Heresy role-playing game from Fantasy Flight Games/Ulisses Spiele, and
  • borrowing the random tables from my husband’s Fiasco 40K playset for, well, Fiasco.

Why? Because on the one hand I don’t enjoy the native system for Dark Heresy, it’s just not my cup of tea; and on the other, we have a bazillion WH40K miniatures which were handy to demonstrate the miniatures rules for Fate from War of Ashes: Fate of Agaptus. 

I had four players, including my husband Edmund. The other three players (the very nice Gregg, Thomas, and Jon) were new faces to us and to each other. Edmund is well-versed in both the WH40K universe and in the Fate rules I was using, of course. However, the other players had minimal knowledge of either setting or mechanics. Their role-playing background was primarily from games like D&D or GURPS, and were there to learn about the Fate system.  Continue reading “Play Report: Fate of the Inquisitor”

My New Development

The news I alluded to in a recent post have been officially announced: in addition to acting as project manager for new books in the Fate line, I am now also stepping in to replace Leonard Balsera as Fate Line Developer for Evil Hat Productions.

Lenny is stepping down to be able to keep up with his own increased responsibilities as COO and Creative Director of John Wick Presents. He has been with Evil Hat and working on Fate in its various forms for nearly 15 years. He is instrumental in creating some of the features I like best in Fate Core, the current version of the system. He is savvy, personable, knowledgeable, creative, and who knows how I will be able to follow such an act!

It’s tremendously flattering to have been invited to fill in the role of line developer for Evil Hat’s flagship line, and even more so when picking up the mantle after someone like Lenny. And it’s wonderful to be associated more closely with Evil Hat, since they have been such great people to work with and for.

One of my official mandates will be to bring even more diversity to the talent pool in all roles (writers, system developers, editors, artists, and so forth.) I will redouble my efforts to attract to our projects skilled people who are as diverse as the world I see around me.

Finally, I will also be scouting for new third-party games based on Fate for which the creators would like printing, distribution, and marketing support. Of course such games need to fit in with Evil Hat’s release windows, quality standards, etc.

So yeah, just call me Doctor Fate…

#MayRPGQ2018: Part 1

For May, we have another neat challenge for tabletop role-playing game enthusiasts, the #MayRPGQ2018 challenge from Brie Sheldon. It has questions for the even days of the month.

May 2: How do you introduce yourself?

To other gamers, I usually mention my long-time online handles, dating back 20 years: Anemone, Evil Anemone, Méchante Anémone, and variations thereof. If I know we have gamer friends in common, I mention them. And to publishers, I mention that I have written for Atlas Games, Evil Hat Productions, Generic Games, Vigilance Press, and ZombieSmith, and that I am project manager for the Fate line at Evil Hat (plus awesome new responsibilities I’ll talk about later this month.) I do have gamer business cards I use at conventions! Continue reading “#MayRPGQ2018: Part 1”