Playtest: Dream Askew

Yesterday I got a chance to play Avery Alder’s Dream Askew (Buried Without Ceremony) for the first time. We tried a playtest of the new edition for which a Kickstarter funding campaign was ending today (you can still pre-order through the page afterwards.) The book is going to contain two takes on the system:

  • Dream Askew proper, where you play members of a queer enclave in a post-apocalypse setting (written by Avery);
  • Dream Apart, where you play inhabitants of a Jewish shtetl in a fantastical-historical Eastern Europe (written by Benjamin Rosenbaum).

Both make me want to play, and I hope to have a chance to try Dream Apart soon. The art looks wonderful for both settings, and amazing contributors have been added through stretch goals. I expect the final result to be a delight.

Preparation

In addition to the playtest materials available on her website, Avery was also kind enough to share a draft of the “How to Play” chapter for our playtest. I love how caring, generous and thoughtful Avery’s writing is. The chapter provides advice for the play environment and behaviours, not just the mechanical aspects.  Continue reading “Playtest: Dream Askew”

#AprilTTRPGMaker: Questions 25 through 30

Final round of Kira Magrann’s cool challenge for April, the 30-day tabletop role-playing game maker or #AprilTTRPGMaker challenge.

Day 25: Being a tabletop role-playing game designer means…

Argh! This kind of question makes me worry about gate-keeping. I feared at the beginning of this challenge that many people would self-select out because of impostor syndrome.

I think of the definition as flexible and inclusive: if you create games, supplements, scenarios, settings, rules, playbooks, worksheets, and other tools to share with the world, if you listen to constructive critique and try to improve, if you keep polishing your work, then I’d say you are a game designer.

I’m not saying that keeping your meticulous DM campaign notes since the first game of D&D you ran in 1979 and trying to run games in that compendium at every convention makes you a game designer. Based on my training as an engineer, I think that in order to qualify as a designer:

  • You need to articulate what it is you are trying to create.
  • You need to separate the product of your work from your own identity, enough to listen to reasonable criticism.
  • You need to want to improve the product of your work even if the improvement goes in a new direction.
  • You need to keep informed about approaches other designers have used to solve similar problems so you don’t try to reinvent the wheel or publish fantasy heartbreakers.
  • You need to think of several different solutions to every problems rather than pre-select based on bias.
  • You need to try, evaluate, reject or refine, and try again until your design can be pronounced good by comparing to your objectives.

These are features of design, any kind of design. It’s not about how many copies you sold, or how long you have been working on an idea.

Continue reading “#AprilTTRPGMaker: Questions 25 through 30”

#AprilTTRPGMaker: Questions 19 through 24

Part 4 of Kira Magrann’s cool challenge for April, the 30-day tabletop role-playing game maker or #AprilTTRPGMaker challenge.

Day 19: Game that’s most essential to your design?

Fate Core CoverThese days it would be Fate Core, since a lot of the projects I’m writing for are Fate games: Fate Infiltration Toolkit, Tianxia Rules Companion, Uprising: The Dystopian Universe RPG. I’ve also got a small item for Monster of the WeekContinue reading “#AprilTTRPGMaker: Questions 19 through 24”

#AprilTTRPGMaker: Questions 13 through 18

Part 3 of Kira Magrann’s cool challenge for April, the 30-day tabletop role-playing game maker or #AprilTTRPGMaker challenge.

Day 13: Biggest influence?

In roughly chronological order:

Over The Edge by Jonathan Tweet (Atlas Games); Robin’s Laws of Good Game-mastering by Robin Laws (Steve Jackson Games); Truth & Justice and The Zantabulous Zorcerer of Zo by Chad Underkoffler (Atomic Sock Monkey Press); Fate Accelerated by Clark Valentine, Leonard Balsera, Fred Hick, Mike Olson, and Amanda Valentine (Evil Hat Productions).

 

But the funny thing is that I also got influences from games I thought were deeply flawed such as:

Primetime Adventures, The Esoterrorists, Burning Empires, Apocalypse World,

Continue reading “#AprilTTRPGMaker: Questions 13 through 18”

#AprilTTRPGMaker: Questions 7 through 12

Continuing with Kira Magrann’s cool challenge for April, the 30-day tabletop role-playing game maker or #AprilTTRPGMaker challenge.

Day 7: Your workspace.

The important thing about my workspace is that it includes cats. At least one, usually two, even three when the afternoon sun shines on my desk.

Also includes: an antique mahogany roll-top desk, bookcases mostly filled with RPGs (but only a fraction of the ones we own!), a worktable opposite the desk, and my computer (running on Ubuntu 16.04, with Wacom Intuos 5×9 tablet.)  Continue reading “#AprilTTRPGMaker: Questions 7 through 12”

#AprilTTRPGMaker: Questions 1 through 6

Kira Magrann started a cool challenge for April, the 30-day tabletop role-playing game maker or #AprilTTRPGMaker challenge. Everyone who participates in creating RPGs is invited to chime in! Kira’s list of daily questions is included at the bottom of this post. They’re mostly short answers on Twitter and other social media, but I thought I would re-post them here in small groups, with better grammar and a few more characters.

Day 1: Who are you?

I’m Sophie Lagacé, a Canadian expatriate living in the San Francisco Bay, avid gamer, convention organizer, blogger, and game writer. I write and manage projects for Evil Hat Productions, and write freelance for Vigilance Press, Atlas Games, Generic Games, ZombieSmith, etc.

My career outside games has been as a civil and environmental engineer.  Continue reading “#AprilTTRPGMaker: Questions 1 through 6”

Play Report: Threadbare RPG

On Sunday I ran a game at EndGame, a local friendly game store, as part of their 3d6 Con event (a mini-con with six table of role-playing games held three times a year.) I chose to run Threadbare, a delightful game created and published by Stephanie Bryant and Powered by the Apocalypse.

Threadbare RPG is a role-playing game in which you play a jury-rigged toy in a broken world. Caught in a world where Entropy is a constant danger, you’ll patch yourself up, invent new devices, and maybe make new friends along the way.

Your character starts out as a Softie (soft-filled toy), a Mekka (hard-shelled, plastic or metal toy), or a Sock (a single sock, often thought to have been lost in the laundry).

In Threadbare, there are no hit points and characters do not die (unless a player wishes to make an extraordinary sacrifice.) Instead, each toy character is made up of parts that can be damaged, modified, exchanged, or lost. They are in a constant state of change. There are also no experience points; instead, the characters undergo more change or repair of their own choice. In addition, when a player rolls a failure (6 or less on two six-sided dice), they gain a hold which can be spent at a time of their choosing to activate a benefit specific to their character’s type and form.  Continue reading “Play Report: Threadbare RPG”

Taking Threadbare out for a spin!

This weekend I ran a short adventure of the game Threadbare via VoIP for three of my friends, and I think we all had a good time. Designed and published by Stephanie Bryant, the game’s production was funded through a successful Kickstarter campaign in 2016, and is now available on DriveThruRPG.

Threadbare is a stitchpunk role-playing game set in a broken world populated by broken toys. Your character starts out as a Mekka (a hard-shelled, plastic or metal toy), a Sock (a single sock, often thought to have been lost in the laundry), or a Softie (a soft-filled toy).

This game is about repairing things that are broken. From the characters, their stuff, their vehicles, even the world itself—everything is damaged in some way. The players’ job is to fix it.

We only had about three hours to play so we created characters and I ran the very shortest introduction adventure offered in the book, called “Furry Road.” But since all Threadbare adventures are designed as mad-lids, the replay value is high, and this intro game dovetails easily into further adventures.

Here are the characters (images created by the respective players), and the opponents they met:

Cookie Furryosa (played by Bryanna) was a bossy but relatable bright pink muppet-type with one Minion eye and a purple sash. Somewhat grumpy yet always ready with a fun story. (Also, Bryanna gave her an awesome voice.)

Shadow’s Keep (played by Fish) was a Bunch of Little Guys, specifically a set of D&D miniatures, including three goblins (one was named Carl), two goblin wolf riders, one goblin sorcerer, a rogue, a sorceress, a gnome illusionist, a dwarven fighter, an elven bow user and a fairy dragon.

Dream Car (played by Edmund) was a former Barbie Dream Car Jeep. She had been the subject of a horrible teen goth punk home art project when her owner became an angsty teen and was now painted in a bad attempt at “Dia de Los Muertos” art with slogans like “Fuck the Police” and “Eat Your Parents.” Barbie and Ken’s plastic heads adorned her front bumper and she had plastic spikes and various “Mad Max” additions. She didn’t really understand what happened and still mostly thought of herself as a fun, cute, pink roadster that could be loved by children and have fun adventures.

The ACTION FIGURES (opposing the heroes) took themselves very seriously. In the picture, back row from left to right: Clarence, Donatello, Merle, Barnaby, and Stu. Front row: Pluto.

Play and Review: Alas for the Awful Sea

I finally ran Alas for the Awful Sea (Storybrewers Roleplaying) at Big Bad Con. This is a game Powered by the Apocalypse, built to tell dramatic tales about the characters’ needs, feelings, and conflicts; it’s set in poor coastal villages of the British Isles during the 19th Century and includes elements of history, legend, and supernatural.

Created by Australian game designers Hayley Gordon and Veronica “Vee” Hendro, the game was funded through a successful Kickstarter campaign back in February 2017. I was really excited about the focused theme, the promise of a streamlined approach to PbtA, and the team of women and non-binary people putting together the main book and the digital stretch goals. Besides, I don’t have very many Australian role-playing games (I can’t think of anything except Hunter Planet right now…)

They delivered right when promised and this beautiful book arrived in time for me to prep a game for Big Bad Con. It fit well, since I had decided to run only games made by women and non-binary people.

So here is a description of how I prepare the adventure, how it turned out in play, and finally a review of the game itself.

Whaler hove down for repairs

Continue reading “Play and Review: Alas for the Awful Sea”

Big Bad Con is the best! – Part 2

(This is my continued recap of my weekend at Big Bad Con.)

Saturday Switcheroo

I woke up and showered groggily. Edmund got to the hotel to set up for the first instance of his Mutants & Masterminds game, “The League of Extraordinary Felines – 1854.” I went to get us coffee at the ad-hoc counter near the Big Bad Con registration desk ($4.00 for drip coffee… I know BBC offers free coffee but I was too groggy to find it!) and new buttons for completing playbooks in Big Bad World.

After taking his coffee and button to Edmund, I went to the Teens Room where my friend Christine’ Marvel Heroic Roleplaying game was scheduled. I so wanted to play this game! the premise was awesome: set after the events of Captain America: Civil War, you are trying to break the Avengers from their cells on the Raft, the mobile supermax prison. And Christine is a great GM. But unfortunately, she only had two players show up and that was just too few for the adventure to work.

Christine and I decided to go pick up boarding passes for Games on Demand, so we could at least play together. We ended up in Brian Williams’ game of Juggernaut (Bully Pulpit Games.) Brian played the bureaucratic Mr. Brasseau, Aaron was the visionary Dr. Takahashi, Ian play the detached Dr. Dörflinger, Tom played the shadowy Simms, Christine played the earnest Dr. Chandrakar, and I was the results-minded Major Van Der Meer. And of course Juggernaut was always right.

Christine and I met with folk, including my husband Edmund, Christine’s husband Alan, and our friend Adi, when we took a break for lunch. We were hurrying to get back to Games on Demand for the next time block and restaurant service was slow. Amidst the hustle and bustle thanks to the large number of people trying to sign up for GoD, we were unable to get Adi, Christine, Edmund, and I seated at the same game. Christine and Edmund decided to go home (Christine to her adorable three-year-old, Edmund to our elderly cats), and Adi and I landed in a game of Dungeon World (Sage Kobold Productions.)

Our party was composed of Simon, playing Thalian the elven fighter; Adi, playing Kaylin Moravis the elven ranger; William, playing Jez the vulpine (kitsune– or anthropomorphic fox-like) bard; [Name Withheld], playing Rikrakrok the gnome wizard; and me, playing Lynniel Bonebreaker the barbarian.

The game was run by Arthur Berman, a first-time visitor to Big Bad Con. I thought he was a great GM: considerate, clear, smart, quick to think on his feet, and well-versed about his game. I hope he will come back to Big Bad Con! He had a a difficult player to deal with but handled it well. [Name Withheld] was creative and enthusiastic but turned out to be uninterested in listening to anyone but himself. He did not play well with others.

[Name Withheld], this note is for you: I know this was your first time playing a game Powered by the Apocalypse, and I also suspect you’re pretty young (but I’m not good at guessing age.) You are smart and have a lot of fun ideas, and I hope you soon learn to listen to other people around the table—and not just in games, either. You will have much more fun and make friends when you start bouncing these ideas with others, and make others shine in the game as much you want to shine yourself.

In the mean time, my barbarian ended collapsing the cursed temple onto Rikrakrok the gnome wizard’s head and mine, rather than let its mojo fall into an enemy’s hands. I met Death and was turned into a paladin of Order!

After the game I said goodbye to Adi, who was going to have dinner with her husband and adorable kid, and went to my room for a nap before the game I was running from 8pm to midnight. I ordered room service so I could get dinner while reviewing my game notes.

Then I went to the scheduled room and ran Alas for the Awful Sea (Storybrewers Roleplaying) for three wonderful players: Manuel, who played Luther the old sea dog; Jacob, who played Captain Zacharias Nielsen; and Ariel, who played Mrs. Pleasance Houston, a merchant. I will post a detailed game summary later, but in short the game went well; I had a blast and I think the players enjoyed it too.

Tomorrow: Sunday Supers!