[Updated to add the names of some women and enby game designers I had somehow failed to copy-paste from my spreadsheet.]
Once again, I review the list of games I played during the year we just said goodbye and good riddance to.
Despite having fewer health problems in 2018, the number of different games once again dropped, to only 28, down from 62 in 2015, 47 in 2016, and 44 in 2017. I had a lot of challenges this year again, plus little money to attend conventions (only Big Bad Con and one day at KublaCon), and no space to play at home.
As a result, I played only 7(!) different tactical and strategic games (board, card, and miniatures games), from 30 in 2015, 26 in 2016, and 18 in 2017. That makes up 25% of the titles I played.
On the narrative game front (role-playing games, story games, and live-action role-playing), I played 21 or 75% of my titles, compared to 32 in 2015, 21 in 2016, and 26 in 2017. Of these 21 games, I ran 7, or 33%: At the Stroke of Midnight, Blue Rose RPG, Fate of the Inquisitor, Misspent Youth, The Quiet Year, Threadbare RPG, and Turn. Continue reading “My 2018 in gaming”→
I had a chance during the holidays to play with one of my online groups. You know how hard it can be to get a group together, especially when they are spread in different time zones; when the friend who was supposed to run the adventure had to ask for another week to prepare, I offered to run something in our original time slot so we would not lose our precious gaming time.
Since this group has greatly enjoyed Golden Sky Stories, I first thought I would try running Chuubo’s Marvelous Wish-Granting Engine, but I just can’t quite grasp how play proceeds, let alone explain it to others. So I decided to playtest Turn: A Game of Shapeshifters in Small Towns instead.
Turn (Daedalum Analog Productions) is “a slice-of-life supernatural roleplaying game set in the modern era”; I think of it as Northern Exposure meets Teen Wolf, or Twin Peaks done by Studio Ghibli. It’s written by Brie Beau Sheldon and recently had a successful Kickstarter campaign (where you can find the beta playtest version, freely available.) Here is what the author says:
Players in Turn are shapeshifters in small, rural towns who must balance their human lives and habits with their beast needs and instincts in quiet drama. Their baser natures will challenge them as they strive towards goals from everyday tasks to life-changing experiences, and they will need to find comfort in one another to make it through without becoming stressed out.
Turn is part of the family of games Powered by the Apocalypse (PbtA), which means that a lot of the setting and story creation comes from the players, not just the game-master. Starting a game involves group creation of the small town where the stories will unfold, and player characters are designed by picking one human role and one beast archetype and selecting from their menu of options to customize your characters.
The sun sinks in the sky, bringing long shadows and a wisp of cool air. In a handful of hours it will be midnight. The veil between the world of the living and the world of the dead is growing thinner with each passing moment. At midnight it will open, and those who are able to stand unshaken before the Beloved Dead will be allowed a boon. You and your friends set out for the graveyard, each eager to meet the Beloved Dead and ask a favor from those who have gone before.
It felt perfect to play in October.
System and Setup
Meguey released it three years ago; the full version which I was using is on her Patreon site, but she also released a basic free version on her Medium blog, so you can take a look.
I had scheduled it as a two-hour game, but it’s hard to gauge how long a given episode will take: you can play with 2 to 6 players and the Yahtzee-like mechanics make it difficult to guess when the end is near. As play aids, I had created a cheat sheets for the Signs; and I used my dry-erase Noteboard so we could draw the elements we created. Continue reading “Play report: At the Stroke of Midnight”→
Last week at Big Bad Con, I ran Robert Bohl’s role-playing game Misspent Youth. Because I was running in a four-hour time block and it’s always a challenge for me to stay within the scheduled time, I cut through setting and character creation by using Misha Bushyager’s playset “Young, Gifted, and Black” from the recent supplement Sell Out With Me. The premise:
“What happens when a group of students from a predominantly Black, inner city public school score highly on a test that propels us to a predominantly white private, suburban boarding school? Will the other students accept us for who we are or will they make stupid ass assumptions about us?
“Will we be able to fit in with them? Do we even want to? Will we have to sacrifice our identities to become more like them or can we plant the seeds of true multiculturalism and make them more like us?”
Initially I had not signed up for anything on Sunday morning because I feared con exhaustion might set in by then. But I woke up in plenty of time to make the 9AM games so I grabbed a free coffee at the registration table and signed up for Brian Vo’s “It Makes A Village,” which sounded like Dungeon World meets The Quiet Year. Spoiler alert: it was.
Our characters were:
Tenrissa the gnome artificer and tinkerer (played by Joey);
Matais the human fighter and village carpenter (played by Matt);
Elizabeth “Lizzie” Silverstone the elf bard who lived above the bakery (played by Summer);
Odd Ev the human thief, secret Santa to the village, who did odd jobs (played by Jim); and
Ysolde the human mage and would-be schoolmistress (played by me).
For my Saturday I had scheduled an array of playtests, all games currently being designed by people I love.
I started with (Abyssal), a game Forged in the Dark by my friends and colleagues Ash Cheshire and Edward Turner. The premise:
Whenever humans build cities, they create shadows… hidden, dark places beneath the surface, where creatures that aren’t human gather. Some might call them monsters, and they wouldn’t be entirely wrong. But you? You don’t belong to the surface or the shadows. You are in-between… cursed, or infected, or bitten but not yet turned. You stand at the edge of the abyss. Will you hold on to your humanity at all costs, or will you embrace the change that is happening to you?
On Friday morning I was scheduled to run a shift at Games on Demand from 9AM to 1PM. Although GoD shifts are all four-hour time blocks, GMs are encouraged to run two-hour games twice because this is useful to attendees who have just a bit of time between events.
I was offering the same two-hour games as last year: Avery Alder’s The Quiet Year and Meguey Baker’s At the Stroke of Midnight. It was a treat for me to get to run both: the first group chose to venture in a graveyard at midnight to get a boon from a departed loved one, and the second to follow a community’s preparation for the expected winter hardships. Both groups of players totally “got” the spirit of the games. Continue reading “My Big Bad Con 2018: Part 2”→
Last weekend was the eighth edition of Big Bad Con. I have had the privilege of attending every single instance and even to be part of the staff for the last few ones. It’s my very favourite weekend of the year, my Christmas.
In the last 25 years I have worked for many other conventions (organized events, volunteered, or been on staff) and attended many more, but Big Bad Con is different. It launched in 2011 with a mission to build community among tabletop and live-action role-players. Within a few years, this expanded to mean more: to make the community welcoming to all and particularly to marginalized, vulnerable, under-represented groups. Here are a few of the practical steps taken: Continue reading “My Big Bad Con 2018: Part 1”→
The Gen Con EN World RPG Awards (the “ENnies”) are an annual fan-based celebration of excellence in tabletop roleplaying gaming.
—ENnie Awards website
The 2018 ENnie award nominees were announced on July 4 and as of July 11 the public can vote for their candidates of choice.
Every year I am flabbergasted that some high-quality releases did not make it onto the list. I know one reason for their absence is that it’s a big job and expense for small press publishers to send the application package. But even so, some electronic releases must surely have been submitted?
Conversely, I am also surprised, every year, by how many names I don’t recognize. I live and breathe RPGs, I have made the majority of my friendships through gaming, I read RPGs like others read the Wall Street Journal. In social media, I mostly talk about RPGs, with other gamers.
Yesterday I got a chance to play Avery Alder’s Dream Askew (Buried Without Ceremony) for the first time. We tried a playtest of the new edition for which a Kickstarter funding campaign was ending today (you can still pre-order through the page afterwards.) The book is going to contain two takes on the system:
Dream Askew proper, where you play members of a queer enclave in a post-apocalypse setting (written by Avery);
Dream Apart, where you play inhabitants of a Jewish shtetl in a fantastical-historical Eastern Europe (written by Benjamin Rosenbaum).
Both make me want to play, and I hope to have a chance to try Dream Apart soon. The art looks wonderful for both settings, and amazing contributors have been added through stretch goals. I expect the final result to be a delight.
In addition to the playtest materials available on her website, Avery was also kind enough to share a draft of the “How to Play” chapter for our playtest. I love how caring, generous and thoughtful Avery’s writing is. The chapter provides advice for the play environment and behaviours, not just the mechanical aspects. Continue reading “Playtest: Dream Askew”→