My Welcome Back

I did not have a good weekend. On Friday night after eating lightly, I started feeling the same abdominal pain I had felt in November from appendicitis. At the time, I was treated with antibiotics but warned that in 40% of cases treated this way, patients eventually still have to have an appendectomy. Hey, people buy lottery tickets for much worse odds! But this time, it had to go. I didn’t wait, I asked Edmund to take me to the Emergency Room where I was admitted, prepped (I’m currently on blood thinners so that means bringing my coagulation rate down), and operated on. Hurray for laparoscopy and highly skilled medical teams!

I was discharged today (Tuesday) and I had a collection of Kickstarter deliveries waiting for me:

KS loot!

Continue reading “My Welcome Back”


Play Report: Threadbare RPG

On Sunday I ran a game at EndGame, a local friendly game store, as part of their 3d6 Con event (a mini-con with six table of role-playing games held three times a year.) I chose to run Threadbare, a delightful game created and published by Stephanie Bryant and Powered by the Apocalypse.

Threadbare RPG is a role-playing game in which you play a jury-rigged toy in a broken world. Caught in a world where Entropy is a constant danger, you’ll patch yourself up, invent new devices, and maybe make new friends along the way.

Your character starts out as a Softie (soft-filled toy), a Mekka (hard-shelled, plastic or metal toy), or a Sock (a single sock, often thought to have been lost in the laundry).

In Threadbare, there are no hit points and characters do not die (unless a player wishes to make an extraordinary sacrifice.) Instead, each toy character is made up of parts that can be damaged, modified, exchanged, or lost. They are in a constant state of change. There are also no experience points; instead, the characters undergo more change or repair of their own choice. In addition, when a player rolls a failure (6 or less on two six-sided dice), they gain a hold which can be spent at a time of their choosing to activate a benefit specific to their character’s type and form.  Continue reading “Play Report: Threadbare RPG”

Black Panther: Spoiler-Free Mini-Review

We saw Black Panther and it was even better than I had hoped. It’s now a strong contender for best Marvel movie ever, and therefore, for best superhero movie ever.

  • Visuals and special effects: 5. The most gorgeous eye-candy delight Marvel Studios have ever brought us. In scale and poise it holds its own against Asgard, and is much more joyous and colourful. Every visual choice was very carefully made. The tribes of Wakanda feel very different yet true and (mostly) unified.
  • Soundtrack: 4. Good mix of pop, traditional, and orchestral music.
  • Writing: 4.5. I have very few quibbles; the main one is that some characters I would really have liked to see again appear to have died the Final Death. But the dialogue is fun and smart, and the pace is good. Also, reflections on insular and and nationalist attitudes well-suited for our times, by a film-maker who cut his teeth on current events.
  • Casting: 5. There was not one actor I didn’t love, the choices were excellent all around. The characters’ personalities shone brightly and the lines were well delivered.
  • Direction: 4.5. Superb attention to detail and sense of an overarching vision. Ryan Coogler assembles the funny, dramatic, sad, tense, and absurd moments into a lifelike tapestry. I really enjoy the glances that characters exchange, the little non-verbal moments. Some exposition, but really not that much considering the amount of material the movie brings in, and well handled.
  • Editing: 4.5. Tight. Even the slower or more solemn moments did not feel like self-indulgence.
  • Superheroics: 4.5. The only problem is that the Black Panther suit is, well, black and can be a little hard to follow in the action. But the fights were definitely larger than life.
  • Diversity: 4.9. As the meme says, they even had two Tolkien white guys (Andy “Gollum” Serkis as Ulyses Klaue/Klaw, and Martin “Bilbo” Freeman as Agent Everett Ross.) Gender, orientation, and ability diversity not really showcased.
  • Feminism: 5. It passes the Bechdel test as well as the Strong Female Protagonist benchmark. Female characters have their own agendas and goals, their own opnions and methods. You can’t swing a dead panther in this movie without hitting a cool female character doing cool stuff.
  • The Edward S. Curtis Award for Anthropological Detail goes to Ryan Coogler and the set design team for the futuristic Wakandan buildings in the style of the Songhai and Aksum empires.

My take on it: who says intersectional social justice is dour? This is the bomb!



Taking Threadbare out for a spin!

This weekend I ran a short adventure of the game Threadbare via VoIP for three of my friends, and I think we all had a good time. Designed and published by Stephanie Bryant, the game’s production was funded through a successful Kickstarter campaign in 2016, and is now available on DriveThruRPG.

Threadbare is a stitchpunk role-playing game set in a broken world populated by broken toys. Your character starts out as a Mekka (a hard-shelled, plastic or metal toy), a Sock (a single sock, often thought to have been lost in the laundry), or a Softie (a soft-filled toy).

This game is about repairing things that are broken. From the characters, their stuff, their vehicles, even the world itself—everything is damaged in some way. The players’ job is to fix it.

We only had about three hours to play so we created characters and I ran the very shortest introduction adventure offered in the book, called “Furry Road.” But since all Threadbare adventures are designed as mad-lids, the replay value is high, and this intro game dovetails easily into further adventures.

Here are the characters (images created by the respective players), and the opponents they met:

Cookie Furryosa (played by Bryanna) was a bossy but relatable bright pink muppet-type with one Minion eye and a purple sash. Somewhat grumpy yet always ready with a fun story. (Also, Bryanna gave her an awesome voice.)

Shadow’s Keep (played by Fish) was a Bunch of Little Guys, specifically a set of D&D miniatures, including three goblins (one was named Carl), two goblin wolf riders, one goblin sorcerer, a rogue, a sorceress, a gnome illusionist, a dwarven fighter, an elven bow user and a fairy dragon.

Dream Car (played by Edmund) was a former Barbie Dream Car Jeep. She had been the subject of a horrible teen goth punk home art project when her owner became an angsty teen and was now painted in a bad attempt at “Dia de Los Muertos” art with slogans like “Fuck the Police” and “Eat Your Parents.” Barbie and Ken’s plastic heads adorned her front bumper and she had plastic spikes and various “Mad Max” additions. She didn’t really understand what happened and still mostly thought of herself as a fun, cute, pink roadster that could be loved by children and have fun adventures.

The ACTION FIGURES (opposing the heroes) took themselves very seriously. In the picture, back row from left to right: Clarence, Donatello, Merle, Barnaby, and Stu. Front row: Pluto.

Play and Review: Alas for the Awful Sea

I finally ran Alas for the Awful Sea (Storybrewers Roleplaying) at Big Bad Con. This is a game Powered by the Apocalypse, built to tell dramatic tales about the characters’ needs, feelings, and conflicts; it’s set in poor coastal villages of the British Isles during the 19th Century and includes elements of history, legend, and supernatural.

Created by Australian game designers Hayley Gordon and Veronica “Vee” Hendro, the game was funded through a successful Kickstarter campaign back in February 2017. I was really excited about the focused theme, the promise of a streamlined approach to PbtA, and the team of women and non-binary people putting together the main book and the digital stretch goals. Besides, I don’t have very many Australian role-playing games (I can’t think of anything except Hunter Planet right now…)

They delivered right when promised and this beautiful book arrived in time for me to prep a game for Big Bad Con. It fit well, since I had decided to run only games made by women and non-binary people.

So here is a description of how I prepare the adventure, how it turned out in play, and finally a review of the game itself.

Whaler hove down for repairs

Continue reading “Play and Review: Alas for the Awful Sea”

My 2017 in gaming

Nerdling time!

Despite having somewhat fewer health problems in 2017 than the previous year, the number of different games was down to only 44, from 62 in in 2015 and 47 in 2016.

The primary difference was in fewer different tactical and strategic games (board, card, and miniatures games), from 30 and 26 in previous years to 18 in 2017. And for this I blame: Gloomhaven. We played that game so much since we got it in February 2017! If I tracked hours spent per game instead of just game titles, we would see a very different pie chart.  Continue reading “My 2017 in gaming”

12 RPGs for the 12th Month: Coming Soon…

Paul Mitchener came up with a new writing challenge on role-playing games called “12 RPGs for the 12th Month” (see the full list of questions here.)

Question 12: 23rd to 24th December

Name an RPG, setting, or adventure you haven’t run or played before, but really want to try out in 2018. What particularly appeals about it?

I’m particularly looking forward to getting my copy of Sell Out With Me, the supplement for Robert Bohl’s Misspent Youth. The reason is the creative team:

Designers and writers: Caitlynn Belle, Strix Beltrán & Ajit George, Misha Bushyager, Judd Karlman, Kimberley Lam, Daniel Levine, Kira Magrann, Matthew McFarland, Michael Miller, Quinn Murphy, Joshua AC Newman, Dev Purkayastha, Alex Roberts, Hannah Shaffer, Jared Sorensen, Daniel Swensen, Curt Thompson, Rachel E.S. Walton, Bill White, and Gregor Vuga.

Artists: Christianne Benedict, Nyra Drakae, Alex Mayo, Jennifer Rodgers, Evan Rowland, Ernanda Souza, Rick Troula, and Jabari Weathers.

What’s not to love, right? Also, I have run a Misspent Youth campaign a few years ago and I thought it was a very clever game that produces great dramatic action.

12 RPGs for the 12th Month: Fun Times

Paul Mitchener came up with a new writing challenge on role-playing games called “12 RPGs for the 12th Month” (see the full list of questions here.)

Question 11: 21st to 22nd December

Talk about a particular stand-out positive experience of playing (rather than running) an RPG in 2017. What was it? What was so good about it?

I get the bulk of my joy in role-playing from three things:

  1. Hanging out with wonderful people.
  2. Seeing someone at the table do something amazingly clever, gutsy, funny, well-portrayed, and so forth.
  3. Occasionally being the one to do the thing.

Pretty much all my games satisfied #1 this year. There were games where I don’t remember any of the fiction or die rolls, but I remember just feeling super-chill and happy to be with my friends.

There were so many memorable moments for #2, though! I think I will pick Adi beautifully role-playing the witch in Gretchen Burneko’s Witch: The Road to Lindisfarne game at Big Bad Con, with Edmund giving the perfect counterpoint as Sir Thorne. It was a like a front-row seat for a high-quality theater drama.

(For #3, I will be a mean person and pick my barbarian collapsing the cursed temple onto the head of [Name Withheld]’s annoying character—and mine.)

12 RPGs for the 12th Month: #internet

Paul Mitchener came up with a new writing challenge on role-playing games called “12 RPGs for the 12th Month” (see the full list of questions here.)

Question 10: 19th to 20th December

Mobile phones and the internet in an RPG setting in the modern day world (perhaps with fantastic elements): discuss. What possibilities do they open up? What, if any, issues come with them when it comes to RPG scenarios?

I guess this is a question for us old fogeys. Players and game-masters who are in their 20s don’t need to discuss this (and probably scratch their heads at the question.)

Some elements jump to mind:

Instant communication between characters give a very different feel to splitting the party. They can be physically apart but still in contact; if you truly want them separated, they have to lose the signal somehow.

Communication can be private and silent, via text messages (watch out for that buzz or the lit screen that can give you away, though!)

Knowledge skills are strongly impacted: online, you can learn to make Turkish coffee, decode a cryptogram, or use a Raspberry PI and Lego blocks to create a recon bot. This means that intelligence should be treated much more as the capacity for reasoning and analysis, and less as the accumulation of data.

Instant proof and documentation—snap a photo or secretly record a conversation, upload. While opponents of the PCs will sometimes be able to claim it’s a doctored photo or recording (and some supernatural critters may not show in digital media, I guess), in general that alters a lot of stories depending on “No one will believe us” or “Get the information in the right hands” premises.

Always have the right tool: With apps for GPS, magnifier, starfinder, compass, first aid manual, birding field guide, drawing, banking, and so forth, there are many tasks that become possible or trivial wherever the characters are, as long as they have a signal.

Under Big Brother’s eye: The flip side is that it can be very difficult to evade tracking or surreptitious phone cloning, and having a phone confiscated or stolen can put a crimp in one’s plan.

Horror games should be designed to use loss of signal, surveillance, unexpected ringing, cryptic texts or calls, new suspicious apps, panicked calls from other characters, trusted but unreliable Wikipedia information, and so forth. You can really affect the pace with such tools.


12 RPGs for the 12th Month: Future Imperfect

Paul Mitchener came up with a new writing challenge on role-playing games called “12 RPGs for the 12th Month” (see the full list of questions here.)

Question 9: 17th to 18th December

You’re planning to run some science fiction, in a setting of your choice. Is there any particular technology you want to include because the possibilities intrigue you. Is there any standard piece of “future technology” you’d rather leave out?

Ah, another fun question.

Let’s start by narrowing it to subgenre, since the scifi genre is so vast. While I enjoy cyberpunk, space opera, time travel, post-apocalypse, planetary romance, and fighting dystopian futures, I particularly love space exploration adventures with a realistic feel.

They don’t have to be excruciatingly accurate to the latest scientific journals, but I like when you feel the danger and the fragility of human life in the blackness of space, the sense that everyone aboard has to pull their weight for the ship to survive the voyage. I particularly like keeping things at the scale of colonization of the Solar System.

That means no FTL drives, and the only artificial gravity comes from rotation or acceleration. No light sabers, no replicators (except 3D printing), no teleportation.