I just wanted to share what the playmat looks like right now.
Edit: To answer questions I received, the blank character card was made with the GNU Image Manipulation Program (GIMP) 2.10. The original dimensions are 1000×700 but I place the card at 50% size, 500×350, so it will look good even zoomed in. If you would like to use them, here is an archive with .xcf, .psd, and .png format files. The fonts used are Alenia by shanayastudio and Spotnik demo by Alexatype.
I place copies of the blank card on the Map & Background layer on Roll20. The character info is filled on the Objects & Tokens layer in Contrail font.
The Fate bookmark is available from Evil Hat Productions as a free download. And the aspect tokens will be discussed in a how-to post on Evil Hat’s website on Friday September 18, I will link back then.
We had our Session 0 for our Fate adaptation of The Expanse, leaving me with scribbled notes for adventure- and world-building.
Focus and Sub-Genre
Our strawpoll on themes and genre resulted in the following votes from four players:
Political intrigue: 3 Action and suspense: 2 Character drama: 2 Spaceship combat: 0 Mystery and investigation: 3 Horror: 0 Espionage: 3 Wacky hijinks and banter: 2
At the moment I’m going with the following issues:
The Truth About Eros
The Churn Throws Unlikely People Together
Faces and Places
Some of the movers and shakers at the UN and their extended network will probably feature in the backdrop. We discussed the following characters from canon:
In addition, we have a new NPC, Thomas Marshall III, the CEO of Marshall LifeTech and father to one of the PCs. He moves in rarefied circles and has some pull with the UN.
Players also mentioned Tycho Station as a place they would like to check into, and Camina Drummer as someone to interact with.
Venus, with possibly old half-built orbital staging platforms meant for the abandoned cloud cities project.
The rings/gates have not yet made their appearance at the start of our campaign. (In other words, we’re aiming more for Outland than Stargate.)
The Main Cast
Our four main characters:
Thomas Marshall the Fourth
Tom is a young man of 22 and he’s the only son of Thomas Marshall the Third, the CEO of Marshall LifeTech, a big player in life support systems. Tom has a lot of crazy conspiracy theories and his father indulges his little “journalistic” endeavors, but Tom lacks experience with the hard edges of the real world. Tom has managed to convince his family to fund a “fact-finding expedition” to Venus to follow one of his many flaky theories, but Thomas Marshall III made sure to add one trusted member to the crew, a young diplomatic attaché called…
(Picture to be updated soon.)
Gabriel-Adan Zhao Cantador
Sometimes familiarly called Gaz, Gabriel-Adan Zhao-Cantador is an independent consultant, formerly affiliated with the United Nations Diplomatic Service. Zhao-Cantador was raised in a family on Basic in one of the Earth-Moon LaGrange-4 point. During school, [TBD] inspired Zhao-Cantador to push for a space at the Lower University. Zhao-Cantador studied political science at university and then accepted a position at the United Nations Diplomatic Service before being seconded to the Diplomatic Intelligence Directorate for further training.
While posted as a legal attache at a small station in the Belt, Zhao-Cantador exceeded his authority in authorizing refugee visas for Belters in need of relocation to Earth-jurisdiction, setting them up on Basic Assistance without prior clearance. Had this been a matter of simple corruption, the right people would have been paid, and the situation would have been ignored.
As a result, Zhao-Cantador was summarily recalled to Earth, and placed on paid administrative leave. While awaiting disposition of his career, Zhao-Cantador was referred to a meeting with Thomas Marshall.
A proficient if quirky xenobiochemist and the first (and possibly only) child born on Triton. Their parents were also xenobiochemists, sent to examine exoplanets with the big Triton arrays for signs of life. Extra mouths were unwanted so everyone was on some form of birth control, but mom and dad were on a timetable so they smuggled a fertilized embryo up with the rat and monkey embryos. Hilarity ensued. Born and raised Triton among a great community of science nerds.
Born on Eros, from a proletarian family. Her dad was a union representative on a drydock of Eros. Her mom worked menial jobs like cook, EVA suits repairs, whatever she could do to feed her kids.
Self-made woman who had to get her education through work and apprenticeship. She started working when she was 12 on small ships tasked to remove dangerous debris from stations vicinity. Tough jobs that involved EVA, piloting drones, heavy machinery. Later she got also involved in the commercial aspect of the trade: negotiating price of scrap or removal of hazardous material. When she reached her twenties, realizing that she’d be stuck in dead-end job if she didn’t switch career, Cécile got involved with smugglers and low grade criminals which opened her horizon to more profitable job opportunities. Now she wants to know the whole truth about Eros and everyone she lost there.
Cécile is a tall lanky woman. She sports very short hair usually by habit. It’s cleaner and you don’t get Belter lice this way.
On with our adaptation of The Expanse to Fate! Along with character creation and ship combat, spaceship construction is one of the most important pieces in this system conversion. Compared to character creation, however, we don’t have as good an internal blueprint for how ships should be modeled in a role-playing game.
As I explained in my interlude, how detailed the ship rules should be in a specific campaign depends on how interested your group is in directly controlling ships and how often this element will show up in the story. At the most basic, ships may be a backdrop, important but more of a scenery aspect the way space stations or planet-side locations may be. At the other end of the spectrum, ship-to-ship combat may be a your characters’ bread and butter.
I gave my players a mini-survey to see where their interest lie: Political intrigue, Action and suspense, Character drama, Spaceship combat, Mystery and investigation; Horror, Espionage, or Other. The two options that go no votes were horror, which didn’t surpris me, and spaceship combat, which did. I had my answer: keep the spaceship combat rules light for my players, don’t burden them with detailed mechanics they’re not interested in using. (Good thing I asked first!)
Therefore, I will use the lightest version possible in my own campaign; in essence, I will treat the AGE System ship profiles as narrative descriptions. Does it say the ship has a med bay? OK, your PC gets a bonus for recovering from appropriate conditions such as Injured or Wounded. Does it have an advanced sensor package? You’ll see other ships coming a little earlier in the fiction.
However, I promised you a more detailed version and here it is. I largely based it on Tachyon Squadron and its supplement, the Spaceship Construction Toolkit, but I do follow The Expanse RPG as closely as I can, especially in the technology lingo.
In case you’re wondering about the next installment in our series, I’ve been musing about ships and space combat. I have one way of doing things based on staying as close as possible to the write-ups in The Expanse RPG, and another based on the ship rules from Tachyon Squadron and its supplements.
It’s going to come down to what my players want for a series framework: if they’re going to go have a lot of ship-to-ship battles where their PCs are in charge of the action, then I want solid rules – meaning derived from Tachyon Squadron. But if they are going to be mostly bystanders like the captured crew of the Knight aboard the Donnager, then just lightly adapting the AGE System rules and using them in broad strokes suffices.
Both approaches can be used in parallel. I can write up both sets of rules and make them available for fellow fans; however, as GM I want to start with what’s immediately useful to me and will not confuse my players. That said, I promise you I will give you both, in time.
Finally, if you do not care about staying close to the published game The Expanse RPG but only about the books or television series (e.g., if you don’t already own the RPG nor plan to), and want a Fate solution, you might want to take a look at Evil Hat’s Fate Space Toolkit. It contains a handful of ready-to-go campaign settings and one of them, called Mass Drivers, would be a good fit for The Expanse and particularly for a Belter campaign If you’re starting from scratch, it’s an excellent choice.
That said, I love the amount of useful material in The Expanse RPG and its supplements so I will continue to use it a lot in my Fate version.
Continuing from my previous post: let’s look at creating some GM characters. This is a spot where Fate really shines for me, making my life easy as the game moderator. You see, while it’s true of any role-playing game, Fate is one of the few that openly acknowledges that adversaries don’t need to be statted the same way as player characters. At all. They don’t even need to use the same skill list. For example, here is a way to make very minor antagonists, a.k.a. mooks:
Make a list of what this mook is skilled at. They get a +2 to all rolls dealing with these things.
Make a list of what this mook is bad at. They get a −2 to all rolls dealing with these things.
Everything else gets a +0 when rolled.
Give the mook an aspect or two to reinforce what they’re good and bad at, or if they have a particular strength or vulnerability. It’s okay if a mook’s aspects are really simple.
Mooks have zero, one, or two boxes in their stress track, depending on how tough you imagine them to be.
Mooks can’t take consequences. If they run out of stress boxes (or don’t have any), the next hit takes them down.
This method is found in the Fate Accelerated Edition but used widely throughout the Fate range of implementations. It works very well for the lowest category of speedbump adversaries, dangerous mostly when in numbers or as impediments to slow the PCs down and let the real target escape. For example, I give you the hooligan: Continue reading “The Expanse in Fate: NPCs”→
As I’ve mentioned a couple of times recently, I have put in a lot of work in creating modules for Evil Hat Productions on the Roll20 virtual tabletop (VTT). Of the 36 modules I have worked on, 29 have been Fate modules, 21 of which have been released on Roll20 already. And this really drove home the point that circumstances have driven me to a Fate-less gaming schedule right now: none of the games I have played this year are powered by Fate. This is unacceptable and there was only one thing to do: start a Fate game.
Setting-wise, I have been itching for a long while to play hard science fiction. Rather than going for a ready-statted Fate setting, I decided to adapt The Expanse. It’s funny, of course, because the book series and later television series have their origin in a role-playing campaign led by one of the authors (GURPS, I believe). A couple of years ago Green Ronin Publishing picked up the license and published The Expanse Roleplaying Game based on their AGE system, which I had played in Dragon Age and run in Blue Rose 2nd edition.
I feel that Fate is a great system to run and play exciting adventures in this setting, and it certainly makes preparation easy for me as GM. On the other hand, The Expanse RPG is crammed full of information and I want to get as much of this goodness as I can, not reinvent the wheel. This led me to hew as close as possible to the original character stat profiles.
We had another episode of our ongoing Paladin game. Alas, one player was unable to join but we still had three of our four sibling knights facing supernatural adventures!
At the end of last episode, our grandmother—now widowed, retired from her own days of knighthood, and abbess of a nunnery—had revealed that she was cursed by witches to turn into a werewolf AND had abandoned a baby at birth, triplet to our father and evil uncle Guillaume, because she could only care for two infants.
We had then discovered that a group of local Redcaps had found the baby in the forest and kept him. They handed it back to us, unaged! But the mere sight of the baby cause grandmother to turn into a wolf creature and attack.
So we started this episode in the middle of the Ardennes forest at night, facing a werewolf of supernatural strength which we did not want to harm but who kept trying to attack the baby. Hildegund’s page Bernard, son of Ogier the Dane, was tossed like a puppet and dashed against an oak (earning him a good concussion but nothing worse than a scratch otherwise.) We tried to restrain the wolf but in vain [largely because the system is that of Pendragon, where you should not expect your characters to be competent…] so Theodelina [my character] vaulted on her horse, snatched the baby and fled with him to keep baby-uncle from being eaten by wolf-grandma. Hildegund drew her rosary and called up the love of God [with a critical success], sending the werewolf fleeing directly away.
We regrouped and tracked grandmother wolf, finding her in human form once the sun rose. We secured her and resumed our search for the witch who had cast the curse—or at least for a village where we could get the baby fed.
We eventually found the witch’s hut in the depths of the forest. She recognized us, let us in and even gave us milk for the baby but wanted our entire lineage to suffer under the curse: long ago, our grandmother the Lady Knight Giselda had slain the witch Liutgarde’s sisters, as ordered by then-King Pepin.
We tried to convince the witch to relent, but she would not give up her vengeance. When we said that the (now-dead) king was the one she should take exception with, she demanded to be heard by “our king” but we soon realized she meant Carloman; she refused to recognize Charlemagne, even though we were in the lands given to him by Pepin when the old king split his kingdom between his two sons.
Meanwhile, our grandmother kept urging us to kill her and the witch both, and wanted nothing to do with the baby.
I finally got the notion to ask the witch if she would agree to the judgment of the king of Nutons instead since I was his knight and champion. She agreed, so we all trooped out to seek the Nutons. (It was the first such visit for my twin brother Adalfried, who finally believed the stories.)
The King of Nutons agreed to hear both sides, then rendered his judgement: his curse would fall on the king instead but would have to be witnessed by us young knights. Our grandmother would be freed from lycanthropy, at least for for now. Presumably, if we failed in the task the deal would be off. And the King of Nutons refused to name which king we should take the curse to…
We took our leave, returned grandmother to the abbey, and took the baby to Adalfried’s impoverished manor in spite of the rumours this would spark. We asked our steward Radegunde to find him a wet nurse, then prepared to visit Carloman—because to make things even more tense, our liege Duke Thierry asked us to attend Carloman’s winter court!
The Pendragon system is, to be frank (haha), an antiquated disaster. We all use it cheerfully, no one is lobbying for a conversion to another system because we love the setting (writer Ruben in ’t Groen did a great job with the Paladin material) and we love playing as a group, but we’re constantly mocking its ridiculous whiff factor, its unnecessary random tables, and its laborious logic. Yet we have such great stories together!
Our friend Bryanna ran a game of Monster of the Week last night for two other friends, Edmund, and me. It’s a custom mystery but she used some of the tools we (Evil Hat Productions) included in the recently released Monster of the Week collection modules on Roll20. It was gratifying that she found a lot of use from the material even running a brand new mystery.
Our hunters were members of a travelling carnival that tries to bring wonder wherever they go and help the towns we visit. We played Chief, a Spooktacular carnival master (Edmund); Lydia,, a Constructed tattooed woman (me); Valentine, a Hex stage magician (Steve); and Violet, a Pararomantic fortune-teller (Dani). All of these are from the newer playbooks released by Generic Games.
Since mid-April, Evil Hat has been working hard on creating a lot of high-quality modules for the virtual tabletop Roll20 for gamers besieged by the pandemic and social distancing. I have put a ton of time and effort into these. A few more were published today so I wanted to give a view of the Wall of Awesome: